Sieve pressure

Screen printing ink on linen 80cm55cm2.5cm. Color Storm – A composition of chaos and energy In "Color Storm", a visual spectrum unfolds that immediately captivates the viewer. The composition lives on a dense web of colours and textures – an expressive dialogue between warm tones such as orange, red and yellow and contrasting accents in black, green and blue. The powerful, partly impulsive layers of color and material create an almost tangible dynamic that extends over the entire picture area. The technique refuses the classical order: instead of clear forms, movement, superposition and spontaneous gestures dominate. The work seems like an emotional outburst – raw, honest and intense. It invites you to get lost in the vortexes of color and develop your own associations. "Color storm" is not just a picture – it is a condition. A moment of inner unrest, captured in color and structure. It challenges, touches and remains in the memory.

Acrylic with different materials 230cm -100cm. I work with bodies, not as an object, but as a trace. Faces appear, disappear again — Naked, vulnerable, not on display, but remembered. Screen printing ink brings structure, acrylic brings movement. The surface becomes the skin, worn by linen, permeated by history. What shows up is not just a figure, but a fragment: a look, an imprint, an echo of nearness. I don't paint the body, I let it speak — between shame and dignity, between visibility and mystery.

Screen printing ink on wood 110cm-70cm. This abstract painting unfolds an intense interplay of color, movement and structure. Following the drip technique of Jackson Pollock, a composition is created that combines spontaneity and emotional depth. Red, black, white and blue layers of color overlap in dynamic patterns, creating a visual tension field between chaos and control.

Screen printing ink on fabric 80cm-62cm-2,5cm. Screen ink is my beginning. An imprint, a grid, an attempt to create order. But the color wants more — It flows, it erupts, it lies over the structure like memory over time. I do not work against chaos, I invite it. The surface becomes the stage for movement, for resistance, for what cannot be smoothed. What remains is trace: an imprint of process, of gesture, of history. It is not the motive that counts, but the energy it leaves behind.

Screen printing ink with acrylic on linen 70cm-50cm-1.5cm. "Between grid and crack" The lines – drawn with screen printing ink – are like traces of an order that wants to assert itself. They are precise, rhythmic, almost mechanical. But in between: black dots of acrylic. They disturb, interrupt, resist. Every point is an impulse, a moment of decision, a no to pure structure. This work lives by contrast. The line – as a symbol of direction, system, repetition. The point – as a sign of interruption, individuality, disturbance. Acrylic hits screen printing, pulse hits grid. And the canvas becomes the field on which these forces meet. It is not a quiet picture. It is a vibrating system. A dialogue between control and chaos. An attempt to think order – and at the same time to break it.

Screen printing ink with acrylic on wood 90cm-55cm-5cm. "What remains" – screen printing ink, burns on wood The surface is hurt, and therein lies its truth. The screen-printing ink spreads like memory over the wood – precise, almost graphic – but the burns disturb the pattern, break it up, make it alive. What arises here is not an image in the classical sense, but a dialogue between control and destruction. The traces of fire are not flaws, but language. They talk about heat, about pain, about transformation. The wood becomes the body that carries what could not be said. The color tries to arrange, the burns respond with resistance. This work is an archive of tension: between form and fragment, between surface and depth, between the desire for clarity and the need for rupture. It does not invite you to contemplate – it challenges you to meet.

Screen printing ink on fabric 70cm-70cm-2cm. This picture is not painted – it is burned. The screen printing ink, applied in rhythmic layers, was transferred to the fire. Not as destruction, but as transformation. The heat drew the surface, sealed the paint, broke the structure. What remains is a relief of time and temperature. The canvas bears traces of a process that goes beyond the visible. Every groove, every crust, every matte surface tells of a moment when control and chance wrestled with each other. The fire – as a tool and as a witness – has not only dried, but formed. Here not only color is shown, but resistance. Not just surface, but depth. The work is an imprint of inner movement – an attempt not to represent memory, but to burn it.

Screen printing ink with acrylic on linen 70cm-50cm-1.5cm. I work with layers that not only overlap but contradict each other. Screen printing ink brings structure, acrylic brings movement. The canvas can withstand both — The planned and the random. What emerges is not an image in the classical sense, but a state: a network of lines, drops, compactions. I let the material speak, let it fight back, flow, break. Because in the tension between control and chaos lies the truth of my work. It is not the motive that counts, but the trace that remains.

Screen printing ink with acrylic on wood 90cm-55cm-5cm."Between grid and momentum" In this work, two worlds meet: The precise line of the screen printing ink – drawn like a mechanical breath – and the spontaneous setting of the acrylic, which breaks up into dots, drops and surfaces. What works planned is disturbed. What seems reproducible becomes individual. The black acrylic paint sets a sign. It interrupts, comments, contradicts. Each point is an impulse, a moment of decision, an echo of inner movement. The screen printing lines, on the other hand, hold – rhythmically, repetitively, almost rigidly. But it is precisely in this tension that the real thing arises: a vibrating dialogue between control and chaos. This picture is not an ornament. It is a system in resistance. A composition that does not calm down, but challenges. Acrylic and screen printing inks – as antagonists and allies – form a surface that speaks.